<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>鲍德里亚 on 风塘 WindHaven</title><link>https://fengur.cn/tags/%E9%B2%8D%E5%BE%B7%E9%87%8C%E4%BA%9A/</link><description>Recent content in 鲍德里亚 on 风塘 WindHaven</description><generator>Hugo</generator><language>zh-cn</language><lastBuildDate>Tue, 15 Sep 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://fengur.cn/tags/%E9%B2%8D%E5%BE%B7%E9%87%8C%E4%BA%9A/index.xml" rel="self" type="application/rss+xml"/><item><title>消费社会：从炫耀到符号</title><link>https://fengur.cn/posts/modelcreate/%E7%A4%BE%E4%BC%9A%E5%AD%A6/29-%E6%B6%88%E8%B4%B9%E7%A4%BE%E4%BC%9A/</link><pubDate>Tue, 15 Sep 2026 00:00:00 +0000</pubDate><guid>https://fengur.cn/posts/modelcreate/%E7%A4%BE%E4%BC%9A%E5%AD%A6/29-%E6%B6%88%E8%B4%B9%E7%A4%BE%E4%BC%9A/</guid><description>从凡勃伦 1899 年发现炫耀性消费，到德波 1967 年宣布景观社会降临，再到鲍德里亚 1970 年解剖消费社会——二十世纪社会理论完成了一次焦点转移：支配我们的不再是匮乏与生产，而是丰盛与符号。本文追溯这条批判脉络，并追问直播时代的消费逻辑。</description></item></channel></rss>