<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>文化资本 on 风塘 WindHaven</title><link>https://fengur.cn/tags/%E6%96%87%E5%8C%96%E8%B5%84%E6%9C%AC/</link><description>Recent content in 文化资本 on 风塘 WindHaven</description><generator>Hugo</generator><language>zh-cn</language><lastBuildDate>Tue, 15 Sep 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://fengur.cn/tags/%E6%96%87%E5%8C%96%E8%B5%84%E6%9C%AC/index.xml" rel="self" type="application/rss+xml"/><item><title>布迪厄：场域、惯习与文化资本</title><link>https://fengur.cn/posts/modelcreate/%E7%A4%BE%E4%BC%9A%E5%AD%A6/26-%E5%B8%83%E8%BF%AA%E5%8E%84/</link><pubDate>Tue, 15 Sep 2026 00:00:00 +0000</pubDate><guid>https://fengur.cn/posts/modelcreate/%E7%A4%BE%E4%BC%9A%E5%AD%A6/26-%E5%B8%83%E8%BF%AA%E5%8E%84/</guid><description>布迪厄（1930-2002）把阶级分析从收入表挪进客厅与餐桌：惯习、场域、资本、符号暴力四件工具，加上《区隔》对法国人趣味的解剖，揭示社会支配如何被身体习得、被学校再生产、被趣味自然化。本文梳理其生平、概念体系与当代回响。</description></item></channel></rss>