<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>勋伯格 on 风塘 WindHaven</title><link>https://fengur.cn/tags/%E5%8B%8B%E4%BC%AF%E6%A0%BC/</link><description>Recent content in 勋伯格 on 风塘 WindHaven</description><generator>Hugo</generator><language>zh-cn</language><lastBuildDate>Tue, 15 Sep 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://fengur.cn/tags/%E5%8B%8B%E4%BC%AF%E6%A0%BC/index.xml" rel="self" type="application/rss+xml"/><item><title>印象主义与 20 世纪音乐</title><link>https://fengur.cn/posts/modelcreate/%E9%9F%B3%E4%B9%90%E5%8F%B2/29-%E5%8D%B0%E8%B1%A1%E4%B8%BB%E4%B9%89%E4%B8%8E20%E4%B8%96%E7%BA%AA%E9%9F%B3%E4%B9%90/</link><pubDate>Tue, 15 Sep 2026 00:00:00 +0000</pubDate><guid>https://fengur.cn/posts/modelcreate/%E9%9F%B3%E4%B9%90%E5%8F%B2/29-%E5%8D%B0%E8%B1%A1%E4%B8%BB%E4%B9%89%E4%B8%8E20%E4%B8%96%E7%BA%AA%E9%9F%B3%E4%B9%90/</guid><description>德彪西用全音阶与平行和弦溶解了调性的边界，拉威尔以钟表般的精确打磨音响，斯特拉文斯基的《春之祭》引爆了音乐史上最著名的首演骚乱，勋伯格干脆拆掉调性的地基、用十二个音重建秩序——20 世纪音乐在 1913 年前后完成惊险断裂…</description></item></channel></rss>